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Albert Speer : Architecture 1932-1942 by Leon Krier (2013, Hardcover)

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Product Identifiers

PublisherMonacelli Press, Incorporated
ISBN-101580933548
ISBN-139781580933544
eBay Product ID (ePID)122542767

Product Key Features

Book TitleAlbert Speer : Architecture 1932-1942
Number of Pages272 Pages
LanguageEnglish
Publication Year2013
TopicUrban & Land Use Planning, Individual Architects & Firms / Monographs, General, Good & Evil
IllustratorYes
GenrePhilosophy, Architecture
AuthorLeon Krier
FormatHardcover

Dimensions

Item Height0.9 in
Item Weight78.2 Oz
Item Length13 in
Item Width9.5 in

Additional Product Features

Intended AudienceTrade
Preface byStern, Robert A. M.
LCCN2012-953726
Reviews"In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." --The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural oeuvre has any formal merit." --The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." --Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style.... The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school" - Wall Street Journal, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." -- The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural oeuvre has any formal merit." -- The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." -- Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." - The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural  oeuvre  has any formal merit." - The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility-not to mention prodigiousness-and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." - Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." -- The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural  oeuvre  has any formal merit." -- The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." -- Architectural Record
Dewey Edition23
Dewey Decimal724.6
SynopsisArchitect Leon Krier asks, "Can a war criminal be a great artist?" Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe., First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet it is simultaneously much more: a philosophical rumination on art and politics, good and evil., Architect Le?on Krier asks, "Can a war criminal be a great artist?" Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.
LC Classification NumberNA1088

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  • Highly detailed book, with excellent balance of illustration and explanation

    This is a well-executed review of Albert Speer's work on the proposed Berlin redevelopment as a aspirant capital city of Europe. There is a significant section reviewing whether this work can be considered independently of it's source, which I didn't find as useful, but otherwise, a truly excellent volume

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